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Video and Stop-Motion
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News Scoop?
Meridian TV news
50 quid for quality video - email news@meridiantv.com
The Daily Echo
25 quid per pic used - email picdesk@soton-echo.co.uk
Inspiring Film Sites
animationnation
series on animation on digital BBC Four
wired
animated short films
atom films
huge showcase for shorts
Bristol School of Animation
animation training and competition
Software Manufacturers
boinx software
istopmotion great. irecordnow for isight camera
piximation
photograph an object on a turntable and put it on the Web
QuickTime Broadcaster
MPEG-4-based Internet broadcasting system
storyboardpro
FREEware storyboarding software for macs and pcs
MacMice
GCam record video to Mac from camcorders and Webcams
frameforge3d
Frameforge 3D storyboarding software
powerproduction
Storyboard Quick storyboarding software
Tutorials, Tech Support and Help
digitalmediatraining
supply a range of training DVDs inc Final Cut, Premier and After Effects
supremevideo
technical explanation for PAL and NTSC framerates
simplydv
useful guide to film-making
michaeldvd.com.au
PALvsNTSC and info on widescreen and 16:9 enhancement
widescreen.org
aspect ratios such as panavision and academy
mir.com
aspect ratios
prep your graphics PAL
4:3    768x576 > 720 x 576

16:9  1024x576 > 720 x 576

uemforums.com
very useful video forum
adobe.com
working with non-square pixels
AG-DVX100A
Panasonic mini-DV camera at City College new HD 200
create-media.co.uk
rate card - useful guide to camera and production costs
wikipedia
greatest movie list
imdb
internet movie database - top list, or search

storyboards

eejit intro to storyboards

thestoryboardartist.com

bullfight has great angles

budlizards horror2

kids guide

Overview of productions that use storyboards:
a) Television Advertising
b) Music Video
c) Theatre Production
d) TV Programs and Soap Opera
e) Short and Feature Films
f) Animation
g) Multimedia Productions

how to use camera angles, how to use distance

Jean-Luc Godard

Lenny Bruce

"Cinema is Truth, 24 Times a Second"

"The Truth is 'what is'. And 'what should be' is a fantasy; a terrible,
terrible lie that someone gave the people long ago"

Peter Greenaway

My big complaint about cinema is that first of all it's an extremely poor narrative medium. If you want to tell stories, don't be a filmmaker, be a writer. There's a big problem here. John Cage said that if you introduce more than twenty-percent of novelty into any medium, you immediately lose eighty percent of your audience. I don't want to commit aesthetic or financial suicide, so I hope it doesn't sound patronizing but I have to travel slowly. To do that, I will have to abrogate the notions of why we go to the cinema, which for most people is to be told a story, which is in a sense an extraordinary contradiction. I challenge anybody in this room to tell me the story of 'Casablanca' or 'Titanic' in any detail, because what you come away with when leaving the cinema is not a notion of narrative or plot, it's to do with ambiance, perception of atmosphere, sense of place, performance, lines of dialogue and all those attributes which only the cinema can give you.

Most people, however, watch films just before they go to bed. What an act of confidence that is. Is cinema only our bromide to put us to sleep just before we have our cup of cocoa?

What I need to do is challenge the notion that cinema should be organized by narrative. If you just throw that completely out, you have a number of problems. First of all the audience is alienated, they don't know where they are. Secondly, what agenda, what structure, what glue do you use to keep the material together? Number counting, numerology and so on just happen to be other ways, and probably the most convenient. We all speak the same numerological language - whether we're in Tokyo, or Melbourne, Paris or Saas-Fee we understand the notion of number count.

Webcam solutions
squidcam
Mac and Windows cross-platform solution
   
   

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